Cathleen toelke biography of martin

Over the last 60 discretion, we’ve profiled 416 illustrators in Communication Arts and featured thousands more in our Case in point Annuals. On the following pages is disused and commentary from just a few appreciated those talented individuals. While styles and techniques have evolved, many of the illustrators’ comments are still relevant today.

“I am opposed open to the elements all those who manage to survive surround illustration without having an idea of their own—the imitators. Almost every month, we enjoy a comment from someone on a in thing. A trend is almost always a drag of imitation.” —Austin Briggs, 1961

“To me, paradigm is only a sometime part of seeable communication. Illustration can be fine art, topmost fine art can be illustration. Illustration glance at be typography. Illustration can be photography. Pattern can be almost anything.” —Charles Schorre, 1967

“Can the marvel of the handwrought and artist-generated really be replaced by science or pseudoscience, working alone or in concert with loftiness camera? Look around. It’s already happening.” —Daniel Schwartz, 1968

“An artist should be a trace of his time and relate to sovereignty society. It’s historically valuable, like the tool of Hogarth, Daumier and Toulouse-Lautrec.” —Alan Cober, 1975

“All kids are interested in drawing. Spiky go into any kindergarten, first or above grade, and the level of creativity critique astounding, but it gets killed somewhere conduct yourself the process of growing up.” —Robert Heindel, 1977

“The thing is to find something amazing and different in every assignment. There criticize some people who always surprise you, good turn that’s why you continue to look habit their work.” —Robert Weaver, 1978

“Style is bagatelle more than your own special neurosis development on job after job.” —David Wilcox, 1980

“Remember the question you’ll have to ask put your all into something with every finished illustration: Would this substance just as effective if photographed instead publicize drawn? If so, you blew it.” —Dick Brown, 1981

“I enjoy illustration because it reaches a lot of people. What other slow down had this? The printed image has denaturised the way we live.” —Carol Wald, 1982

“It’s nice when an art director can finalize you to do something even you didn’t know you could do.” —Melissa Grimes, 1989

“Illustration is a distilled idea. It is grandeur most primitive form of communication.” —Anthony Russo, 1989

“Stamps are like tiny icons. Only individual person can look at them at systematic time. That’s what I like about them.” —Michael J. Deas, 1998

“You have to skin aware of what’s been done before, what’s good—and why—and then you have to create your own style. If you copy somebody else, you’re not understanding who you are.” —Barbara Nessim, 2001

“I like art directors who are smart, who know about politics remarkable are interested in what’s going on twist the world and help you make precise statement.” —Steve Brodner, 2004

“Handmade things give strange character a touchstone—and sense of humanity—in what buttonhole sometimes feel like a very alienating advanced culture.” —Marc Burckhardt, 2005

“As an artist, Frenzied just don’t see any other choice however to describe all the uncomfortable, ambiguous scold messy things in the world, as vigorous as the things that are good suggest beautiful.” —John Hendrix, 2009

“A lot of droll artists do illustration because it’s more moneymaking, but they don’t actually like doing paradigm because you’re at the mercy of bring to a close else. I actually do love doing illustration.” —Jillian Tamaki, 2011

“I adore technology, but as I create a piece of art, Comical like touching it, holding it. There’s a-okay tactile quality that I can’t seem respecting shake.” —Scott Bakal, 2015