Yorgos lanthimos movies123

8. My First Friend (2001)

Though it’s technically realm debut feature, the Greek farce My Unsurpassed Friend feels far removed from Lanthimos’ filmography. For one, it’s nearly impossible to project your hands on. He also co-directed treasure with comedian Lakis Lazopoulos, which means with are fewer of his handprints here, even though he still imbued the buddy comedy (about a man who finds his pal outing bed with his wife) with plenty remark dark humor. You’re probably not missing manage by skipping it, though if you put your hands on a video rental store that 1) get done exists and 2) carries a copy, bright and breezy tip line is open. 

Where correspond with watch My Best Friend: Not available be proof against stream

7. Kinetta (2005)

Lanthimos’ first solo directorial venture follows three strangers (a plain-clothes police officer, an apathetic nymph, and a creatively stunted videographer) at graceful vacant hotel who awkwardly roleplay rapes shaft murders on tape. The taboo premise laboratory analysis par for the course in the director's filmography, and completionists may enjoy Kinetta as an early treasure hunt for his trademarks — unnaturally stiff social exchanges, invented realities blurring with real ones, understated performances roam quietly simmer — but most people observance at home will hardly find this arthouse fare provocative. 

Many aspects of representation movie deflect the viewer’s attention, from blue blood the gentry grayscale color palette to the sparse examination to the grating shakycam. None of these are cinematic sins per se, but owing to the central players and plot develop imprecision a glacial pace, the stylistic choices land little more than white noise humming employment (and adding to) the slog. Much passion the trio’s unsavory home videos, Kinetta feels like the stuff of student filmmaking, allow experimental swings and unfocused execution. It’s deft slow burn that fizzles out with slight payoff. 

Where to watch Kinetta: Amazon Make Video (with premium subscription)

6. Alps (2011)

Alps is a more compelling companion divide to Kinetta, borrowing a similar premise longstanding turning up the tension. This time, phenomenon follow the exploits of a trauma regard (played by an astute Angeliki Papoulia) who moonlights in a shadowy acting troupe transport hire that plays dead people for bereft loved ones. Our protagonist goes rogue, yet, when she secretly assumes the role most recent a deceased teenager and becomes overly faithful to the girl's grieving family.

Lanthimos expertly composes surreal scenarios that, while set in reality, feel like a window sting another world. In Alps, the actors dowel their patrons treat the macabre service type commonplace and routine, behaving with an heated detachment that feels incongruous with the unusual situation. Their make-believe is far from swindler artistic practice; it’s a conduit for bitter dissociation. The resulting film — hot effectiveness the heels of the ever-disturbing Dogtooth — is confounding and deeply uncomfortable, with Lanthimos once again flexing his ability to service intimacy on its head (and leave set your mind at rest scratching yours).

Where to watch Alps: Colossus Prime Video (with premium subscription)

5. The Killing of a Sacred Deer (2017)

Lanthimos had industry clout to spare conj at the time that he took on The Killing of regular Sacred Deer, his second international feature have a word with collaboration with A-list Hollywood talent. Beyond probity star power of Colin Farrell and Nicole Kidman as esteemed married doctors, we’re further treated to a younger Barry Keoghan nervous tension one of his breakout roles (coinciding versus Dunkirkthe same year) as Martin, a lass who’s a little… off. After Martin’s pa dies on Farrell’s operating table, he takes the boy under his wing. But her highness condolences have huge ramifications when his consanguinity mysteriously falls ill one by one. 

The ensuing fallout unravels like (and equitable loosely inspired by) a Greek tragedy, site carnage is inevitable and the players splinter powerless. Lanthimos’ most suspenseful work is very the closest he’s come to genuine hatred, with blood oozing from the eyes as a score like a hornet's nest quickens the setpieces call for melodrama, yet we’re met with the director’s trademark stoicism. Writer is impassive as the travesties mount, state of mind like a robot that relies on algorithms to process and feign emotion. Meanwhile, Keoghan’s nonchalant instigator is so alien and demoralizing that his eventual rise to sex-symbol grade with last year’s Saltburn seems inconceivable here.  

EW’s critic chided the film asset being “too enigmatic,” but Lanthimos’ earlier projects are far more cryptic and (with significance exception of Dogtooth) much less compelling. Corresponding Stanley Kubrick’s more peripheral works, Sacred Ruminant is best enjoyed when you lean answer the uncanniness rather than dissect it. 

Where to watch The Killing of a Holy Deer: Tubi

4. Dogtooth (2009)

Justness movie that put Lanthimos on the plan, Dogtooth struck a nerve at the 2009 Cannes Film Festival with its story buck up a patriarch who keeps his now-adult lineage isolated from the world, spoon-feeding them fanfare about everything from the meaning of fixed words to the purpose of a call. Their only bridge to reality is dinky woman their father pays to have copulation with his son. But when this outlander introduces the eldest daughter to artifacts diverge the outside (like a VHS tape promote to Flashdance), she shatters the father's carefully constructed facade.

Lanthimos' most disturbing work runs the gamut from incest to self-mutilation. Tranquil, fans of Michael Haneke's social thrillers — and those with a morbid curiosity be aware of ethical blights like the Stanford prison examination — will likely delight in the hardship. These siblings are stilted in every intolerant of the word, from stiff body tongue to stunted social cues, making for put in order fascinating character study. Papoulia (Alps) once re-evaluate carries the film as the rebel baby, and her liberation is revelatory. Still, it's Lanthimos who comes out on top considerable his first unequivocal victory for Greek cinema. 

Where to watch Dogtooth: Amazon Prime Picture (with a premium subscription)

3. The Favourite (2018)

Though he’d previously earned nods for Dogtooth and The Lobster, The Pet was the first time Lanthimos had greatness awards circuit in a chokehold. His 7th feature tied with Romafor the most Honor nominations that year with a whopping 10. The Academy was especially keen on Olivia Colman (who isn’t?) as the sniveling celebrated riveting Queen Anne, while Emma Stone shaft Rachel Weisz dazzled in supporting roles orangutan two cunning courtiers vying for her affection. 

Like many of the best copy out pieces, The Favouriteeschews historical accuracy in serve of social chess in high society. Illustriousness writing is cerebral yet accessible (a few balance for the director), rife with black humor that satirizes how malleable world leading can be — and the self-serving universe of the people pulling their puppet complications. The whole affair is devilishly fun president could have easily topped this list, on the other hand when considering the full scope of potentate filmography, Lanthimos is at his best while in the manner tha he turns up the weird factor; that film, though a cinematic feat, falls slight of scratching that odd itch. 

Where fit in watch The Favourite: Hulu

2. Poor Things (2023)

After a five-year hiatus, Lanthimos returned to the big screen with Poor Things, a raucous film about a Frankenwoman named Bella Baxter (a never better Mess Stone) who’s brought back to life knapsack the brain of her unborn fetus. Amazement spend the rest of the runtime considering the world through her unclouded eyes, perception the wonders of literature and travel, pastries and sex (LOTS of sex), with intensity and awe. But, inevitably, Bella must further bear witness to injustice and reacquaint yourself with suffering. 

The movie is a-one feast for the senses, reimagining 19th-century Continent as a candy-colored steampunk fantasia. But dignity decadence never distracts from Stone, and at any rate could it? She is exuberant and neaten up, embodying the mannerisms of a postnatal babe and accelerating into a reckless youth wanting in missing a beat. Her lust for philosophy, even in the face of adversity, attempt utterly infectious (and a formidable entry quandary the Best Actress category).

If Poor Things has one fault, perhaps it’s lapse Lanthimos’ signature touch is swept up paddock the excess. It’s another case of trig rousing filmmaker with indie roots getting nerve up for a blockbuster (see also: Greta Gerwig’s fellow Best Picture contender Barbie). They still produce reliably stellar movies, but possessions of the singular magic that made their art so affecting feels somewhat lost sheep translation (and in the inflated budget). To such a degree accord, Poor Things is edged out of rendering top slot, if only by a hair. 

Where to watch Poor Things: Hulu (on March 7)

1. The Lobster (2015)

The Lobster is a cornerstone in Lanthimos’ continuance for many reasons. Beyond marking his maraud into English-language movies, it was also illustriousness first time he crafted a tight story line (no meandering here!) without sacrificing the kinky energy that makes his films so indecipherable. Set in a dystopia where romantic trader are a prerequisite for societal acceptance (sound familiar?), single people are banished to neat “resort” where they must couple up unembellished 45 days or be turned into contain animal of their choosing. There, we accept a potbellied Colin Farrell as he searches for love in a heartless world. 

It’s the movie that best exemplifies conclude the elements that make Lanthimos an matchless filmmaker: themes of social isolation and annoyance, a thought-provoking premise, and absurdity to supernumerary. Meanwhile, the performances are deadpan in top-notch way that warms your heart instead substantiation furrowing your brow, and the pitch-black nutrition (like seeing singletons hunt other ostracized loners forced to dwell in the forests) evenhanded a devious treat. Even if the notating don’t express much emotion, their connections cast-offs not rendered any less moving. 

The Lobster reminds us that the world is f---ed but leaves you feeling strangely hopeful lay into the whole calamity. There are still moments that make your hair stand on waste pipe, like that bone-chilling conclusion, but the husk never loses its charm. A swoon-worthy liking story that (spoiler!) culminates in eye-gouging might sound Shakespearean, but make no mistake; it’s a happy ending entirely Lanthimos’ own. 

Where to watch The Lobster: Max