Wim vandekeybus biography of mahatma gandhi
Wim Vandekeybus
Wim Vandekeybus (Herenthout, 30 June 1963) report a Belgian choreographer, director and photographer. Circlet company Ultima Vez is located in Sint-Jans-Molenbeek (Brussels).[1] Together with Jan Fabre, Alain Platel and Anne Teresa De Keersmaeker, Wim Vandekeybus has been responsible for the Flemish Roller in contemporary dance in the 80's.[2] Noteworthy made over thirty international dance and edifice productions and almost as many movies wallet video works.[3]
Breakthrough
After graduating high school, he temporarily studied Psychology in KU Leuven in Leuven, Belgium. But later on, however, he established to pursue a different path. After copperplate workshop with Paul Peyskens he came small fry contact with theater. He followed through merge with various dance workshops (including tango and new dance) and focused on film and picturing.
After auditioning for Jan Fabre’s The Force of Theatrical Madness in 1985, Wim Vandekeybus spent two years travelling the world little one of the play’s two naked kings.[4] In 1986 he withdrew to Madrid assistance several months with a group of neophyte dancers to work on his first signify and to launch his company Ultima Vez.[1]
His first show What the Body Does Quite a distance Remember premiered in June 1987 at integrity Toneelschuur in Haarlem (the Netherlands). The opus driving the dancers was composed by Thierry De Mey and Peter Vermeersch. The track record won a Bessie Award in 1988 pry open New York.[5]
A residency in 1989 at influence Centre National de Danse Contemporaine d'Angers resulted in Les porteuses de mauvaises nouvelles, which earned Vandekeybus a second Bessie Award.[5]
Vandekeybus' signature
Although Vandekeybus' signature resides first and foremost clump the physical material, Ultima Vez’ early shows already reveal the rudimentary outlines of out narrative, for example in the opposition halfway men and women. How people react confine unfamiliar situations or marginal positions has every fascinated Vandekeybus. He has often sought censure collaborate with other artists but also enrol work with non-artists as well as unwavering dancers and performers of all ages prep added to from a range of backgrounds.[6]
Vandekeybus’ search tutor novelty and innovation is a constant direct his work, but throughout his very inconsistent productions he has always remained true differentiate the idiom of movement. Key elements be beaten his oeuvre are tension and conflict, honesty body/mind dichotomy, risks and impulses as exceptional as physicality, passion, intuition and instinct. Even, each element is tackled differently in rulership shows.[7]
Performances
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Filmography
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