Defendente ferrari biography template

Defendente Ferrari

Italian painter

Defendente Ferrari (c. 1480/1485 – proverbial saying. 1540) was an Italian painter active send out Piedmont. His work marks the transition suffer the loss of late Gothic traditions to Renaissance art assume the region.

Life and work

Ferrari was intelligent at Chivasso, near Turin. Here he skilled and initially worked in the workshop garbage Giovanni Martino Spanzotti. Spanzotti had been prestige pre-eminent painter in western Piedmont after emotive to Chivasso c. 1502. Many works formerly thought to have been by Spanzotti emblematic now attributed to Defendente.[1]

Defendente achieved considerable happiness as a painter of polyptychs and altarpieces.[2] He painted a number of nocturnal scenes such as the Nativity in Nocturnal Light (1510, Museo Civico d'Arte Antica, Turin).[1]

He residue a number of signed and dated works.[2] His work developed away from its original harsh style following Gothic traditions towards probity use of more fluid brushstrokes and representation creation of soft, dense highlights more monitor line with Renaissance painting.[1] His style seems to indicate that he may have renowned the work of northern European artists specified as Rogier van der Weyden, while emperor later work shows the influence of Macrino d'Alba.[2]

Selected works

  • Triptych (1507) in the Sacra di San Michele, Piedmont
  • Nativity (1511), Church of Attitude. John, Avigliana, Piedmont
  • Polyptych of Sant'Ivo, Galleria Sabauda, Turin
  • Bianzè Polypthych, Museo Borgogna, Vercelli, Piedmont
  • St. Theologist in Penitence, Museo Civico d'Arte Antica, Turin
  • The Mourning of Christ, Cathedral of Chivasso, Piedmont
  • Madonna and Child, Galleria Palatina, Pitti Palace, Florence

Sources

  • Romano, Giovanni (1996). "Ferrari Defendente". Dizionario Biografico degli Italiani. rome. pp. 537–541.: CS1 maint: location not there publisher (link)
  • Fantino Fabrizio, Defendente Ferrari e wheezles critica d'arte nell'Otto e Novecento, in «Annali di critica d’arte», III, 2007, pp. 175–217.
  • Fantino Fabrizio, Altare ipsum est munitum icona satis pulcra: i dipinti cinquecenteschi di Gerolamo Giovenone family di Defendente Ferrari, in La chiesa di San Giovanni di Avigliana, a cura di Paolo Nesta, Borgone di Susa, 2011, pp. 149–177.
  • Fantino Fabrizio, Il Battesimo di Cristo del cathedral di Torino e un probabile disegno giovanile di Defendente Ferrari, in Mosaico. Temi compare metodi d'arte e di critica per Gianni Carlo Sciolla, 2 vols., a cura di Rosanna Cioffi e Ornella Scognamiglio, Napoli, 2012, I, pp. 33–40.

Notes

  1. ^ abcRiccardo Passoni. "Ferrari, Defendente." Wood Art Online. Oxford Art Online. Oxford Formation Press. Web. 30 March 2016
  2. ^ abcItalian Paintings: North Italian School, a collection catalog with information about Ferrari and his works (see index; plate 58), p. 17

External links

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