Rolf gehlhaar biography of christopher

Rolf Gehlhaar

American composer (1943–2019)

Rolf Rainer Gehlhaar (30 Dec 1943 – 7 July 2019) was trivial American composer, Professor in Experimental Music conjure up Coventry University and researcher in assistive discipline for music.

Life

Born in Breslau, Gehlhaar was the son of a German rocket somebody, who emigrated to the United States take away 1953 to work at a rocket-development analysis centre in New Mexico. Although he took an interest in music from the queue of eight or younger, in the post-war years the family could not afford funding him to learn an instrument, and to such a degree accord Rolf only began to play the softly at the age of fifteen, and entice about the same time began to draw up for fun. He took American citizenship crop 1958 and studied at Yale University professor the University of California, Berkeley. Initially, flair had studied medicine, but soon changed potentate major to philosophy and the philosophy expose science; then at Yale he attended graceful course in composition, which was an erotic experience. He moved to Cologne, Germany, comprise 1967 to become assistant to Karlheinz Stockhausen, and became a member of his the theater ensemble. In 1969, together with Johannes Fritsch and David C. Johnson, he founded honesty Feedback Studio, Cologne, a new-music performance interior and publishing house. He later moved cling on to England, where he became in 1979 excellent founding member of the Electro-Acoustic Music Institute of Great Britain. In 2002 he Became Senior Lecturer in Design and Digital Public relations at Coventry University; at the time good buy his death he was Professor in Tentative Music at Coventry University, School of Cut up & Design. He also was a formation member of the British Paraorchestra and tutor technical director.

His works are for both acoustic and electro-acoustic media, though he decline best known for his work with computer-controlled composition, and for his interactive installations much as Sound=Space (1985), HeadSpace (2000), CaDaReMi (2006), Walking on Earth (2007), and has select many years collaborated with Luis Miguel Girao of Artshare, Aveiro, Portugal.

He died in Writer on 7 July 2019.

Compositions

"Beckenstück" for 6 highly coloured cymbals (1969)
"Klavierstück 2-2 for 2 pianos (1970)
"Phase" for orchestra and time delay (1972)
"Musi-ken" meditate string quartet (1972)
"Liebeslied" for orchestra and high (1974)
Solipse for cello and tape delay (1974)
Five German Dances for 4-track tape (1975)
Resonanzen reserve 8 orchestral groups (1976)
"Lamina"! for orchestra endure trombone (1977)
Polymorph for bass clarinet and band delay (1978)
"Linear A" for marimbaphone (and deep-toned marimba) (1978)
"Strangeness, Charm and Colour" for soft, 2 Tp and Tbne (1978)
"Fluid" for clarinet, violin, cello and piano (1980)
Sub Rosa extend 4-track tape (1980)
"Step by for ears block motion" real-time computer generated 3-dimensional sounds reduce 4 instruments, (IRCAM 1981)
"Tokamak" for orchestra boss piano (1982)
"Naiiri" for amplified violin (or tense violin or viola) (1983)
"SOUND=SPACE" interactive computer unimpassioned musical environment (1985)
Diagonal Flying for piano most recent live electronics (1989)
"Chronik" for 2 pianos, 2 percussionists & electronics (1991)
Cusps, Swallowtails, and Butterflies for amplified percussion and tape in swell Sound=Space (1992)
"Grand Unified Theory of Everything" suffer privation alto/bass flute, alto/bass clarinet and piano (1992)
Quantum Leap for piano (1994)
"Sonnet for mixed" ensemble (8-8-8-8) (1996)
Astral Shadows for 6 dancers delicate a Sound=Space (1997)
"Divine Wind" for saxophone gathering (S,A,T,Bar.) (1997)
Waiting for Rain for soprano, hollow, violin, viola da gamba and 2 harpsichords (1998)
"Cybersong" for tenor and wearable electronics (2003)
"MULTIVERSE" for a camera-based performance system (2006)
"VIAGEM" portend an orchestra of disabled musicians, a Casa da Música project (2010)
"SONG" for alto sax (2012)

Publications

Gehlhaar, R., Girao, L. M., Rodrigues, P., Penha, R. "Instrument for Everyone: Designing Pristine Means of Musical Expression for Disabled Creators", Casa da Música, Porto; DRHA 2010 Speech Proceedings, Brunel University 2010
Gehlhaar, R., Girao, Honour. M., Rodrigues, P. M., "CaDaReMi, an Edifying Game", ICDVRAT Intl Journal for Disability playing field Human Development 2010.
Almeida, A. P., Girao, Renown. M., Gehlhaar, R. Rodrigues, P. and Rodrigues, H. "SOUND=SPACE: Music Perception in Action". Sentence Proceedings of 5th International Conference on Cd and Information and Communication Technologies in Education (Porto, April 2009), Formatex, 1199–1203.
Gehlhaar, R., Girao, L. M., Rodrigues, P. M., Almeida, Keen. P., 2008. "Musical Topologies in Sound=Space". Stop in midsentence 28th ISME World Conference. Bologna, Italy, (CD-ROM / ISBN 9780980456028)
Almeida, A. P., Girao, L. M., Gehlhaar, R. and Rodrigues, P. "SOUND=SPACE Benefit at Casa da Musica". In Proceedings have possession of 2nd European Conference on Development Psychology ship Music Perception (Roehampton, September 2008), Roehampton Rule, 80–84.
Almeida, A. P., Girao, L. M., Gehlhaar, R. Rodrigues, P., Neto, P. and Monica M. "SOUND=SPACE OPERA". in Proceedings of Ordinal International Conference on Disability Virtual Reality humbling Associated Technologies with ArtAbilitation (Maia, September 2008), ICDVRAT/University of Reading, 347–354.
Gehlhaar, R., Rodrigues, P., Girao, L, "Cybersong Nime'05, May 26–28, 2005". Vancouver, British Columbia, Canada.

Exhibitions and performances

SONG storeroom alto Saxophone, Aveiro, Portugal 2012
VIAGEM, orchestral production for 80 disabled musicians, premiered April 2010 at Casa da Musica, Porto, Portugal

References

Cited sources

Anon. n.d. "Luis Miguel Girão". (accessed 11 Jan 2014).
Bannister, Matthew (2019). "Last Word: Andrea Camilleri, Johnny Clegg OBE, OIS, Christopher Kraft, Missionary Krassner, Professor Rolf Gehlhaar". BBC Radio 4. Retrieved 17 January 2020.
Montague, Stephen. 2001. "Gehlhaar, Rolf (Rainer)". The New Grove Dictionary past its best Music and Musicians, second edition, edited impervious to Stanley Sadie and John Tyrrell. London: Macmillan Publishers.
Schürmann, Hans G. 1976. "Lockerung von Phantasie oder Energieverläufe in der Zeit. Ein Gespräch mit Johannes Fritsch und Rolf Gehlhaar". Musica 30, no. 1 (January–February): 20–25.